Those fast, flowing blues flurries you hear from Stevie Ray Vaughan aren't just about speed. The secret is how you use the blues note, that extra passing tone that sits right between the pentatonic notes, and how you access it without picking every single note. Slides into it, slides off it, hammer-ons, bends, all of it creates that liquid, vocal quality. Once you start thinking of the blues note as a leading tone rather than just another fret to land on, your phrasing opens up in a big way. That's where the flurry sound actually comes from.
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